I Make Up Worlds

Apr 22

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Writing update w/ News

As many of you know, the Spiritwalker Trilogy is complete, together with two coda stories: The Secret Journal of Beatrice Hassi Barahal (with the most awesome illustrations by Hugo-nominated artist Julie Dillon) and The Courtship (told from the point of view of Andevai). I have a few more Spiritwalker short stories in progress, including one that involves … babies (for those of you that like that kind of thing). Again, thanks to all of you who have so enthusiastically read Cat’s story (and to those who read it and were more lukewarm; honestly, I appreciate people reading my books however it goes.)

For my two latest projects I have been working on a YA fantasy (which will be published as a YA and not in the adult sff field) and a new epic fantasy.

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COURT OF FIVES is now the more official title of the YA fantasy formerly known as MASK (not yet fully confirmed but I think this is going to be it). It is fully revised and in production for a Summer 2015 publication date (the wheels of production grind slowly in YA publishing; they like lots of lead time to promote their titles).

This is the “Little Women meet the Count of Monte Cristo in a fantasy world loosely inspired by Greco-Roman Egypt” story that I’ve mentioned before. I wanted to write an epic fantasy that centered around girls, and telling it through the story of four sisters struck me as absolutely the way to go. In my dry, laconic way I am TOTALLY EXCITED about this book. It is definitely the fastest paced and most streamlined thing I have ever written, without losing the details and (I hope) complexity that I love.

(A younger) Hideo Muraoka would be pretty close to my head canon for the love interest:

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Meanwhile, I have turned in a draft of THE BLACK WOLVES to Orbit Books. This is the first volume of an epic fantasy series and, again, I wanted to center a story around women (3 of the 5 point of view characters are women and their points of view get about 75% of the page time in this volume). Having said that, I should note that I believe all the characters are great and (I hope) varied.

Here is the current description:

SOME CHOICES CAN NEVER BE UNDONE.
He lost his honor long ago.
Captain Kellas was lauded as the king’s most faithful servant until the day he failed in his duty. Dismissed from service, his elite regiment disbanded, he left the royal palace and took up another life.
Now a battle brews within the palace that threatens to reveal deadly secrets and spill over into open war. The king needs a loyal soldier to protect him.
Can a disgraced man ever be trusted?

I know, I know, it seems like it’s all about a dude, but trust me on this. Not that I have anything against dudes! I am sure that 50% of the characters in this book are men and I love each and every one of them. Especially Captain Kellas.

THE BLACK WOLVES is also currently scheduled for 2015.

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Finally, I have a forthcoming collection of short fiction (and four essays) coming out with Tachyon Publications, to be titled THE VERY BEST OF KATE ELLIOTT. (Truth in advertising: it is actually “all the short fiction Kate Elliott has written in her career so far except for a couple of Spiritwalker-related stories and with the addition of two new novelettes to sweeten the deal”).

Much more on that later.

Apr 21

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Apr 20

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Apr 19

juliedillon:

YEAH! Not only was I nominated for a Hugo Award for the second time, but there are two other ladies in my category (Best Professional Artist) this year! This is a first! :D There are as many women nominees as men in my category, where in previous years there weren’t any women at all! 

Congratulations to the other Best Professional Artist nominees Galen Dara, Fiona Staples, John Picacio, John Harris, and Dan Dos Santos!

This is so fabulous. SO FABULOUS

medievalpoc:

swagjohncage:

medievalpoc:

Contemporary Art Week!
Valiant Guard
Chris Rahn for Magic: The Gathering, 2008

"Hey lets have a Contemporary Art Week here at Medieval POC"
"Ok so you’re gonna post contemporary black artists? cool"
"well only if they draw obvious influence from early art, oh and we’ll post literal Magic the Gathering art"
*jerk off motion* 

You know, I am actually amazed at how angry Contemporary Art Week has made this many people. I didn’t think it was possible to really be amazed anymore, but it’s probably the surprise factor still hanging on after all this time that keeps me going sometimes. I am genuinely baffled by this response, and how you came to this conclusion…or what you personally were expecting.
I chose to showcase one of the progressive frontiers of representation in one of the largest employers of contemporary fantasy artists working today, Wizards of the Coast.
I also want to take this opportunity to let my readers who are fantasy artists know that they WILL LOOK AT YOUR ART. 
Send it to  artdrop@wizards.com.
They offer careers in game design, marketing, finances and accounting, creative departments, software development, and much more. You can view a list of current job openings here.
There are more resources here for artists who are interested in creating works for Dungeons and Dragons, Magic: The Gathering, TOR Books, and more.
It’s not just important to have representation, it’s important to have people of color on creation teams, putting their stuff out there, and making a huge difference by and for fantasy fans of color.

medievalpoc:

swagjohncage:

medievalpoc:

Contemporary Art Week!

Valiant Guard

Chris Rahn for Magic: The Gathering, 2008

"Hey lets have a Contemporary Art Week here at Medieval POC"

"Ok so you’re gonna post contemporary black artists? cool"

"well only if they draw obvious influence from early art, oh and we’ll post literal Magic the Gathering art"

*jerk off motion* 

You know, I am actually amazed at how angry Contemporary Art Week has made this many people. I didn’t think it was possible to really be amazed anymore, but it’s probably the surprise factor still hanging on after all this time that keeps me going sometimes. I am genuinely baffled by this response, and how you came to this conclusion…or what you personally were expecting.

I chose to showcase one of the progressive frontiers of representation in one of the largest employers of contemporary fantasy artists working today, Wizards of the Coast.

I also want to take this opportunity to let my readers who are fantasy artists know that they WILL LOOK AT YOUR ART.

Send it to artdrop@wizards.com.

They offer careers in game design, marketing, finances and accounting, creative departments, software development, and much more. You can view a list of current job openings here.

There are more resources here for artists who are interested in creating works for Dungeons and Dragons, Magic: The Gathering, TOR Books, and more.

It’s not just important to have representation, it’s important to have people of color on creation teams, putting their stuff out there, and making a huge difference by and for fantasy fans of color.

Apr 18

mariannedepierres:

(via Peacemaker by Marianne de Pierres | My Bookish Ways)

mariannedepierres:

(via Peacemaker by Marianne de Pierres | My Bookish Ways)

I’ve never been female. But I have been black my whole life. I can perhaps offer some insight from that perspective. There are many similar social issues related to access to equal opportunity that we find in the black community, as well as the community of women in a white male dominate society…

When I look at — throughout my life — I’ve known that I wanted to do astrophysics since I was 9 years old…I got to see how the world around me reacted to my expressions of these ambitions. All I can say is, the fact that I wanted to be a scientist, an astrophysicist was hands down the path of most resistance through the forces of society.

Anytime I expressed this interest, teachers would say, ‘Oh, don’t you wanna be an athlete?’ I want to become someone that was outside of the paradigm of expectations of the people in power. Fortunately, my depth of interest of the universe was so deep and so fuel enriched that everyone of these curve balls that I was thrown, and fences built in front of me, and hills that I had to climb, I just reach for more fuel, and I just kept going.

Now, here I am, one of the most visible scientists in the land, and I wanna look behind me and say, ‘Where are the others who might have been this,’ and they’re not there! …I happened to survive and others did not simply because of forces of society that prevented it at every turn. At every turn.

…My life experience tells me that when you don’t find blacks, when you don’t find women in the sciences, I know that these forces are real, and I had to survive them in order to get where I am today.

So before we start talking about genetic differences, you gotta come up with a system where there’s equal opportunity, then we can have that conversation.

” —

Neil DeGrasse Tyson in response to a question posed by Lawrence Summers, former Treasury Security and Harvard University President

"What’s up with chicks and science?"

Are there genetic differences between men and women, explain why more men are in science.

(via magnius159)

(via moniquill)

Apr 17

karenhealey:

discordanddarkness:

Bethari aka my favourite character from When We Wake by Karen Healey..who am i kidding they’re all my favourite characters

LOOK INTERNETSLOOK AT THIS GLORIOUS THING.SO DAMN GLORIOUS.(everything is just so perfect JUST SO.)

Oooo! Fanart!

karenhealey:

discordanddarkness:

Bethari aka my favourite character from When We Wake by Karen Healey..who am i kidding they’re all my favourite characters


LOOK INTERNETS

LOOK AT THIS GLORIOUS THING.

SO DAMN GLORIOUS.

(everything is just so perfect JUST SO.)

Oooo! Fanart!

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Apr 16

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Apr 15

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